- NIK SILVER EFEX PRO MAC TORRENT UPDATE
- NIK SILVER EFEX PRO MAC TORRENT PROFESSIONAL
- NIK SILVER EFEX PRO MAC TORRENT SERIES
Easily share them or import them to another computer so you can continue editing, no matter where you are. Reconnect with the emotional impact of analogĪccurately recreate the finish of films that left their mark on the history of photography: Nik Silver Efex features 39 ultra-realistic grains to help you produce authentic black-and-white photos.Ĭreate and save your personalized presets in Nik Viveza. Pick the style you like the most and make your own local adjustments.
NIK SILVER EFEX PRO MAC TORRENT PROFESSIONAL
Nik Viveza features ten native presets designed by professional photographers. Remove haze, boost local contrast, and give your photos an entirely new dimension. Nik Silver Efex now features revolutionary ClearView technology, which was first released as part of DxO PhotoLab. The definition of efficient.Įven more striking black-and-white photos Selectively reapply a plugin’s finish to one or several images directly in Adobe Lightroom-all without having to launch the Nik Collection interface. With the Last Edit feature, you can recreate the last preset you used with one of the Nik Collection plugins. Meta Presets, which can be accessed directly from the Nik Selective Tool in Adobe Photoshop, combine all the presets and settings from the various Nik Collection plugins so you can apply several effects with a single click.ĭiscover 10 Meta Presets created by professional photographers and instantly infuse your landscape and wildlife photography with a unique style-all without leaving Adobe Photoshop. Thanks to the new Color Tolerance setting, users can not only select the color they want to edit, but also adjust the tolerance of similar color hues.Ĭombine the settings from several plugins with a single click To really optimize your workflow, you can even rename them.Īdjust the saturation of a specific tone range This is the perfect way to apply a color effect to several portraits as well as a blurred background!Ĭreate an optimized and easier-to-use workflowīecause the Control Points now feature fewer sliders, you can now see the applied effects more easily.
NIK SILVER EFEX PRO MAC TORRENT SERIES
Save your favorite presets that you’ve created with Control Points, and then apply a similar style to a series of images-all while preserving a specific area in your photo. It also provides quicker access to all available tools and presets so you can concentrate on what’s most important-finding your very own style.Īdd Control Points to your custom presets The new interface of Nik Viveza and Nik Silver Efex is more modern, more appealing, and more functional. New interface, even more precise Control Points, and optimized tools for Adobe Photoshop and Lightroom: Nik Collection 4 helps your creativity reach even greater heights. Title: Nik Collection by DxO v4.1.0.0 Win/Mac 圆4Įven More Possibilities for Even Greater Creativity. Meanwhile Rollei 100 Tonal was often utilized by architectural photographers for its soft contrast properties and fine grain.Nik Collection by DxO v4.1.0.0 Win/Mac 圆4 For landscape and studio photography Foma 100 was a great choice for its fine grain, high resolution and wide range of greys. For example Adox Silver Max 21 was a film which was adept at reproducing deep blacks and was a popular choice for portrait images. The new films simulations include Adox Silver Max 21, Agfa Scala 200x, Bergger BRF 400 Plus, Foma 100, Fuji Neopan 400, Ilford Pan 100 and 400, Polaroid 667 and 672, and Rollei 100 Tonal.Įach film type has characteristic qualities which benefit a range of varying image types. DXO has added 10 new film presets to the suite, having selected these carefully for their iconic status historically and based on their popularity during the days of analogue photography.
NIK SILVER EFEX PRO MAC TORRENT UPDATE
Of all the Nik Plugins, black and white conversion software Silver Efex Pro is arguably one of the most popular and with a recent update is now more flexible than ever.
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